The movies that he made during this time offset all the negativity that shrouded his career in the following decade. The 2000s was the best decade in director Gautham Menon’s career. (Vaaranam Aayiram is streaming on Sun NXT)
TAMIL SUPER HIT LOVE MOVIES MOVIE
This movie is also a masterclass on chivalry. If he needs another shot at love, he must first pull himself out of the hellhole. He is put through some hardest of times and pushed into the darkest corners. The son is not so lucky in the romance department. And the couple is ageing gracefully as their love for each other stays intact. The father has a blessed life – he is married to the love of his life, played by Simran. Starring Suriya in a double role, it contrasts the romantic life of a father and son. This movie follows love stories across two generations. (Unnale Unnale is available on YouTube, and the Telugu version is streaming on Sony LIV) The director had managed to achieve a distinct visual and audio style with this movie that made the spring of 2007 more memorable. Unfortunately, director Jeeva died after this movie at the age of 43. Should one of them change their true self to make this relationship work just because they are in love? Or stay true to themselves, accept the reality and make hard choices? This movie had a pretty progressive approach to understanding modern love at the time. She has an issue with everything he does, and he thinks that she is very controlling. And he falls for an introvert, loner and old-schooler Jhansi, played by Sadha. Karthik is an extrovert with many girlfriends. There are not many movies that dignified break-up like this film. (Alaipayuthey is streaming on Amazon Prime Video) The actual problem in their relationship begins when they start living with each other and discover new areas of each other’s personality with each passing day. Inconsiderate parents: 0 and cute couple: 1. The problem solved, right? If push comes to shove, the couple can produce a marriage certificate, ta-da, and live happily ever after. Just to mitigate future challenges, Karthik and Shakthi get married in secrecy and continue living with their parents. But, naturally, Varadharajan and Selvaraj dislike each other because of the class differences between them. Madhavan’s Karthik Varadharajan, an easy-going fellow from an affluent family, falls in love with Shalini’s Shakthi Selvaraj, an independent girl from a middle-class background. At the turn of the century, a new crop of filmmakers pumped in fresh blood into the romantic movie genre that reflected the real-world challenges to a relationship beyond class, caste and religion.Īt the heart of director Mani Ratnam’s romantic drama exists a class conflict. Not many filmmakers dwelled on the relationship challenges that followed after the couple tie the knot against all the odds. That ending, of course, brought us a sense of satisfaction, filled us with the hope of finding love and overcoming all challenges, just in case our romantic interest’s father was a local gang lord. More or less, all old movies ended with the couples getting married against all odds and we all went back to our lives believing that they would live happily ever after. And there have been countless movies about how a determined couple overcome some of the steepest obstacles to be with each other. Of course, even in the 21st century, class, caste and religion remain the biggest threats to numerous love stories.
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